Natural stone bracelets, strung to one wrist under one number.
The mark you carry.
- Made to your wrist
- Sealed & numbered
- Kept for life
Five collections
An older way of naming what a person needs when the stakes are high.
Numbered pieces
Strung to one wrist. Recorded by number.
The Northstar
$268.00
Tiger eye, black obsidian & grey moonstone bracelet
The Small Hours
$238.00
Black spinel & hematite double-wrap bracelet
The Moon Gate
$218.00
Black onyx & clear quartz bracelet
The Signatory
$298.00
Tiger eye, black agate & silver obsidian bracelet with antique-gold barrel
Shop by stone
Start with the stone.
Eighteen materials, each looked at under three lights before it is kept. Eight of them here.
The making
Made after it is ordered, in six steps.
- 01
Select under three lights
Morning, dusk, desk lamp. A bead that only performs in one of them is set aside.
- 02
Compose the circle
Where the focal stone sits, how the barrel is weighted, which side faces the room. Decided once, on the bench.
- 03
String to the wrist
Bead count and cord tension are set to the centimetre you gave us, so the circle sits still under a shirt.
- 04
Close by hand
The closure is finished by hand and the metal is antique-finished, so it reads as old rather than new.
- 05
Rest beside selenite
One night in a sealed box beside selenite. Clients call it the cleansing; we call it a habit we keep.
- 06
Seal and record
One bead in the circle is engraved with the atelier number and turned to the inside of the wrist. Sealed in the morning; number and wrist size go into the ledger.
The mark you carry
In the East, authority was never a signature. It was a seal: small, carried on the body, pressed once at the moment that mattered. We make stone bracelets the way seals were made. To one wrist. Under one number. Kept for life.
Long before anyone wrote about presence, the people who held authority kept stones close. Obsidian was polished into mirrors to see what was really in the room. Beads were counted under the table during difficult audiences, one turn per breath, until the hand was steady.
None of it was decoration. It was a private ritual for public hours. We think it still works, in the only way that matters: the hand finds the stone, the breath slows, the room gets a little quieter.
Journal
Notes from the house.
Sizing a bracelet for someone else
You cannot ask. You may never have looked at their wrist. Here is how the house gets it right anyway, and what to do if it is not.
Read
Black, and the seven blacks inside it
Eleven of the house's thirteen pieces are dark. None of them are the same dark. A field guide to the blacks we work in, and how to tell them apart on the wrist.
Read
A short history of counting beads under the table
Before there were bracelets there were strands, and before the strands were worn they were counted. A private practice that crossed every border and never once needed to be explained.
ReadThe private circle
Numbered pieces are offered to the circle first. One note a month, nothing else.